Diary of a Wimpy Kid Delivers Heart, Humour, and Hilarity
I recently had the pleasure of attending Diary of a Wimpy Kid at Theatre on the Square in Sandton, and I left with the kind of genuine smile that only comes from witnessing something truly special. As someone who has seen my fair share of children's theatre productions, I've grown accustomed to shows that rely heavily on spectacle: bright lights, blaring music, and characters so exaggerated they barely resemble real people.
This production, however, delivered something refreshingly different.
Based on Jeff Kinney's beloved book series, this musical adaptation (with book by Kevin Del Aguila and music and lyrics by Michael Mahler and Alan Schmuckler) dives headfirst into the awkward, anxiety-riddled world of primary school, where popularity rankings shift daily and the struggle to find one's identity is all-consuming.
I had the fortune of seeing Erich Jordaan in the lead role of Greg Heffley, and he delivered what I can only describe as the finest performance I've ever seen from a child actor. There was an authenticity to his portrayal that transcended the usual "cute kid on stage" syndrome. He embodied Greg's angst, humour, and surprising self-awareness with a maturity that belied his years. This was beautifully mirrored by the exuberant performance of Boikanyo Lekasapa in the role of Rowley Jefferson – creating a dynamic duo that shone throughout.
(It's worth noting that the production features two alternating casts sharing performances, and so while I haven't seen the other young performers, the overall quality of the show suggests that audiences are in for a treat regardless of which cast they see.)
What struck me most about this production was its commitment to emotional truth. While many children's shows focus solely on entertaining through spectacle, Diary of a Wimpy Kid isn't afraid to explore the complicated feelings that come with navigating those challenging primary school years. Greg's song about being "way too young to handle things and way too old to cry" resonated deeply - it's that in-between stage we've all experienced but rarely see portrayed so accurately on stage.
The entire ensemble brought remarkable energy and vibrancy to the production. Every young performer gave their absolute all, dancing and singing with infectious enthusiasm. Each character, from Rowley to Rodrick to Fregley, was developed with rich personality traits that made them feel like real people rather than cartoon caricatures.
The production design cleverly incorporated elements from Kinney's distinctive illustrative style. Wilhelm Disbergen's set, lighting, and AV design brilliantly utilized projections that paid homage to the books while creating the perfect backdrop for these young stars to shine. I particularly appreciated the ingenious use of numbered props to visually represent the ever-changing popularity rankings throughout the show – a subtle but effective touch that reinforced the theme of social hierarchy.
Under Vicky Friedman's direction and Dale Ray's musical direction, the cast delivered impressive vocal performances and executed choreography with precision and joy. The songs were catchy without being cloying, and the musical numbers advanced both plot and character development rather than merely serving as showy interludes.
What made this production truly special was watching the audience's reaction. Parents and children alike sat with smiles plastered across their faces, and the theatre erupted with genuine laughter and enthusiastic applause throughout. As we filed out at the end, the buzz of excited conversation filled the air which is always the sign of a show that has connected with its audience.
In bringing this production to South Africa, the team has created something valuable: a show that respects children's intelligence while entertaining them. It acknowledges that young people have complex emotional lives and doesn't shy away from the challenges of growing up.
Diary of a Wimpy Kid reminds us that the most compelling children's entertainment succeeds through honest storytelling, relatable characters, and performances that come straight from the heart.
If you're looking for a theatre experience that will delight the whole family I can't recommend this show highly enough. It's a production that proves children's theatre can be both entertaining and emotionally resonant – a rare and beautiful combination.
The show runs from 3 April – 4 May 2025. Get your tickets here.