Twenty-eight solo shows in, Alan Committie remains one of the great constants of South African comedy, and his latest, AV-A-LAUGH-TA, is exactly the kind of warm, wordplay-filled evening the moment calls for. It may not reinvent the wheel, but it spins it with tremendous affection and considerable skill. Right now, that is more than enough.

What does it cost a person to be truly extraordinary? The Opera Singer explores that question with sharp wit, genuine warmth, and a fearlessness that is rare in new South African writing.

Stuart Taylor's Odd Man Out celebrates the courage it takes to exist authentically in a world that demands we fit neatly into boxes. With clever comedy, unexpected magic tricks, and genuine warmth, Taylor reminds us that the places where we feel like outsiders might actually be the most interesting parts of who we are.

In Becoming Benno, Ben Voss transforms the theatre into an immigration holding room where dreams hang in the balance and delivers a story that feels like a warm embrace even as it explores the cold realities of modern migration.

Micaela Jade Tucker's 'A Doll's Life' brilliantly transforms the chaos of quarter-life crisis into an hour of raw, hilarious, and surprisingly profound theatre.

My review of Alan Committie’s rip-roaring show: ‘Comedy Gold’.